Over eight consecutive nights, MoMA presents a chronological exploration of the sonic and visual experiments of Kraftwerk with a live presentation of their complete repertoire in the Museum’s Marron Atrium. Each evening consists of a live performance and 3-D visualization of one of Kraftwerk’s studio albums
Tuesday, April 10, 8:30 p.m. 1 – Autobahn (1974)
Wednesday, April 11, 8:30 p.m. 2 – Radio-Activity (1975)
Thursday, April 12, 8:30 p.m. 3 – Trans Europe Express (1977)
Friday, April 13, 10:00 p.m. 4 – The Man-Machine (1978)
Saturday April 14, 8:30 p.m. 5 – Computer World (1981)
Sunday, April 15, 8:30 p.m. 6 – Techno Pop (1986)
Monday, April 16, 8:30 p.m. 7 – The Mix (1991)
Tuesday, April 17, 10:00 p.m. 8 – Tour de France (2003)
I AM A BANANA. Don Hertzfeldt will appear in person to present his newest film and a selection of his award-winning earlier shorts Monday, March 26, 2012 and Tuesday, March 27 at the IFC Center. Hertzfeldt’s new film, It’s Such a Beautiful Day, is the third and final chapter in a trilogy about a mysterious man named Bill. The entire trilogy will be screened together for the first time on new 35mm prints, followed by a live Q&A with Hertzfeldt.
The Tobolowsky Files is my favorite storytelling podcast ever (Yes, better than This American Life and The Moth). I recommend starting with Season 1, Episode 1, as each story builds upon previous stories.
The American Museum of the Moving Image will by screening David Cronenberg’s films from January 21–February 12, 2012. See Crash, The Fly, Videodrome, A History of Violence, Eastern Promises and many others on a big screen!
No trip home to San Ramon is complete without visiting Bay Books and Dublin’s Half Price Books. Spring cleaning at my parent’s house resulted in four boxes filled with John Grisham, Michael Crichton, Jean Auel, …
These ladies are hilarious. The conversation also nicely touches on aspects of being a woman and building a creative career, while avoiding the forced “what challenges do you face as a woman doing X” question.